@musikkusgenerali13 said:
Hi Markus,
sorry for the late answer but on christmas time i am little busy with the bakery.
Thank you for your help. I am not a expert so sorry for the questions but i have not realy understand what is the benefit for using the Vienne ensemble. All the things can be done in studio one though. The general doing like you have described is now clear for me. Is there any capacity advantage? The paning and the reverb are set up in the Vienna ensemble too?
How is it to use the Mir Reverb? Can you recomend this additional too for the template?
I try to get better but the time to get on the pc and work doing the compositions are at the moment realy limited so if i get some tips will they help me for better doing. I know, theres no other way to pratice 😊.
Have a nice 2 Advent.
Best regards Bernd
Hi Bernd, I tested this without Vienna Ensemble, using only the Vienna Instruments as Instrument Track, the System performance were much higher, so i would never be able to have 40 or more Instruments Tracks without the Vienna Ensemble. Im using MIRx because with this, i can focus full on composing which is my primary Goal. One Slider will set the Instruments in correct Panning and Space, how it could be easier than this. So I cant give any Idea on MIR Pro.
I mentioned the 3 Instances of Vienna Ensemble for each Section (Strings,Woodwinds,Brass-Percussion) because of the Idea creating Depth using different Reverb Settings and Early reflections. I struggled for last two years to get a good Panning Reverb Setup. The Results were not satisfied.
If you really want to start quickly then the MIRx Venues are the best Choice.