Vienna Symphonic Library Forum
Forum Statistics

182,937 users have contributed to 42,264 threads and 254,951 posts.

In the past 24 hours, we have 3 new thread(s), 7 new post(s) and 47 new user(s).

  • last edited
    last edited

    omg, mw, we're literally dimensions apart. 😊 I've only got Special Edition Complete, but most times I go with the normal orchestral strings. It's always the strings where I have the feeling that something's missing. I'm pretty happy with the rest, except for muted horns, those I miss - I had them in Opus1, but Opus1 is long gone...

    Your advice to mix in mono is interesting - I've heard that a few times already, but I've never tried it. I definitely should do that! With MIR... well, I've yet to spark the flame, I guess.

    As to the contest: it's been fun. I put my entry on my composer blog along with a few thoughts if you want to check it out. Don't expect a masterpiece. 😉 Thanks a lot for your insights!


  • You have very good Orchestration Skills for writing, I listen to your Entry for Genius Challenge, also the Faendalar. The Beginning of Faendalar sounds awesome, you use the MIR Pro ?

    I first purchased One Instrument after another, but now Im Purchasing because I need the Articulation to go further, wow thats feels enormous. That feels very different from the Idea to collect something.

    This is One Technique I use now, I make wet MIRx Signal in Mono and the Mono Signal itself in a virtual Room Plugin, so i listen to a wet mono signal in a wet room setting from a Distance. Then I hear Things Im not hearing while mixing on Monitors or Headphones, because its from a Distance in a compressed Mono Setting.


  • Im using Auburn Panagement for this Use, here on my Demo for Intro Style 1. Making Mono and then listen from a Distance.

    Image


  • last edited
    last edited

    The Purpose here is to test short Articulations, Pizzicato on Stringsection, but also some interesting Sounds like Bassoon Thrills and Tuba Flatter, Vibraphone and some Woodblocks.

    Sunday Piece Update


  • since you asked: No, I don't use MIR. Only the products mentioned in my signature. But thanks for your kind words about Faendalar - I'm glad you like it!

    btw: The variety in articulations definitely pays. I couldn't have told you what it was about your music that I found intriguing, but I guess it's that. Damnit, now I've got to get myself some new samples as well... :)


  • last edited
    last edited

  • last edited
    last edited

    @mw design said:

    new short Composition

    New Composition B Arrangement

    New Composition

    Impressive sound. Why not make it into an entire composition?


  • last edited
    last edited

    Thank You Paul, I will do longer Compositions. Im still in a Testing Mode, testing different Sounds.

    New Composition C Arrangement


  • last edited
    last edited

  • last edited
    last edited

    By request on Social Media I made Couple of Inspiration Videos, how I start with a Piece, which is normally on a basic String Chord, preferable using Appasionata Strings. I show in this Video How I make a Basic Movement with the Use of the Chords for Harp, a Soprano Voice, Deep Brass. In the second Video I make the Harp Melodies more dynamic.

    Inspiration Video 1 - Making basic Movement

    Inspiration Video 2 - Harp Playing


  • last edited
    last edited

    most recent project I working on is Orchestral Fantasy, I plan for a long 15 Minute Piece.

    Orchestral Piece - Fantasy - 8.12


  • last edited
    last edited

    develop a good melody takes his Time, I now used the idea of the previous Piece, the Melody Combination of Clarinet and Horns and made a different Version of this in the second part of the Piece.

    Orchestral Piece - Fantasy - 10.12.2017


  • last edited
    last edited

    Christmas Piece or a Reason for using Tubular Bells, hihi

    Christmas Piece - 10.12.2017


  • last edited
    last edited

    Christmas Piece changed Tempo from 101Bpm to 120 Bpm, the Mixing seems to be very challenging here.

    Christmas Piece 2


  • last edited
    last edited

    Appassionata Strings are my favorite for Chords, while the Dimension Strings play the finer Melodies.

    VSL Appassionata Strings Piece

    A Short Piece for Woodwinds - Testing Articulations using Keyswitches and a Speed Controller. For Instance when the Staccato Articulation is triggered, depending on the Playing Speed, the Staccato Articulation changes to a shorter Staccato Articulation automatic. I now testing a third Option of Articulation Changing in Combination with the described Techniques. A Slot X Fade Controller, this means the whole Articulation can be morphed into another Articulation while playing a Note, so the Legato could start with a fortepiano and turns into a Legato.

    Articulation Test on Woodwinds

    This describes a Composition Technique, called Question and Answer, where the first Part of the Melody introduces a Question while the second Part of the Melody will give the Answer. From my latest Filmmusic, which is also in Progress now.

    Composition Technique - Question and Answer


  • last edited
    last edited

  • last edited
    last edited

    now on the individual Sections, mixing 4 Flutes seems to be challenging. But It will work in the End, thanks to the amazing VSL Library

    Humperdinck - Hänsel und Gretel - Overture Excerpt 3 - Flutes


  • last edited
    last edited

    small Update on Filmmusic. The idea here is not to make the most heroic Maintheme, but to build nice Crescendos and Diminuendos.

    Orchestral Composition - Fantasy - April 2018


  • PaulP Paul moved this topic from Orchestration & Composition on