omg, mw, we're literally dimensions apart. 😊 I've only got Special Edition Complete, but most times I go with the normal orchestral strings. It's always the strings where I have the feeling that something's missing. I'm pretty happy with the rest, except for muted horns, those I miss - I had them in Opus1, but Opus1 is long gone...
Your advice to mix in mono is interesting - I've heard that a few times already, but I've never tried it. I definitely should do that! With MIR... well, I've yet to spark the flame, I guess.
As to the contest: it's been fun. I put my entry on my composer blog along with a few thoughts if you want to check it out. Don't expect a masterpiece. 😉 Thanks a lot for your insights!