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  • Thank you William. Actually, the link I pasted above is NOT from Hans Zimmer, it's from Zack Hemsey. In fact, in all the music that I hear this sound, and I like, it is almost NEVER is from Hans Zimmer. This is not even trying to imitate Hans Zimmer... All I want is knowing how to reproduce a certain sound without really paying attention to who made it.

  • my bad:

    "it is a common misconception that the piece for this trailer was composed by Hans Zimmer because Zimmer composed the official score for the movie itself."

    http://en.wikipedia.org/wiki/Zack_Hemsey


  • for what it's worth:

    [url]http://community.vsl.co.at/forums/t/19847.aspx[/url]


  • Hahah.

    i just did a search of some of my previous posts. Hehehe. Did I really say that about Mike Verta? Only kidding of course. He's an excellent pianist.

    soooo... Dear old Hans again. [H]


  • Sorry nektarios, I missed an injection last week.


  • Perhaps bang your head against a tightly wrung Taiko real hard? Or against a Project Sham box?

    Anyway, I would be much more concerned about what comes after the 1-second bang (perhaps another bang?)

    I just chimed in here to warn against any and all slides against the Arpeggiator god who, SO inspired, has offered us all so very much so very much so very much so very much so very much so very much so very much so very much so very much so very much so very much so very much so very much so very much so very much so very much so very much so very much so very much so very much so very much so very much so very much so very much so very much so very much so very much so very much so very much so very much so very much so very much so very much..........ad infinitum.........


  • I honestly don't understand some of these angry and rambling posts. All I asked was a simple question and it seems I opened up some kind of pandoras box. I honestly don't get some of these posts.

  • You think these are angry posts? You should have seen the email I got from one of the posters this morning. 

    I only came here under fear and threat of death and destruction of what remains of our empire. 

    What I think people are saying here is try and be new. Try and be a bit more yourself and original. If you can't be original - be aboriginal. 

    Anything to stop these fearful, destructive, life threatening emails. And btw. Hans Z wouldn't want you to copy  him or his sounds. If I find you copied Hans - I'm warning you now - I'm going to the Police.


  • haha! Again, the sound I am trying to recreate is not from Hans Zimmer (it's from Zack Hemsey). It is a classic movie trailer bang sound which you hear in many different films by different composers. It almost sounds the same in all of them.

    I totally agree on being original, but by saying I am not being original because I picked a *sound* that is used most often in trailer music, is like saying don't use violins/violas/cellos for your orchestra as it won't be original. If I want to create an action trailer, that sound is almost necessary.

    I am not aiming to reproduce the sound 100% but get pointers as to where the main drum sound comes from as I am new in orchestration -- then I can create my own bang sound with a bang! :-)

  • I'm sorry I can't help you with the drum sound because I haven't listened to it.

    i can't listen to banging sounds or trailer music.  The last time I heard trailer music Hitchcock was in the trailer personally and I then went out and slaughtered an entire community.


  • I already got my answer, so all good now!

  • Are you sure Zach Hemsey is not an alter ego for Hans Zimmer? HZ?... Anyway, the posts are not 'angry', they are merely sarcastic, and they smack of leftover smoke from wars of yesteryear and older waged here on this forum, grossly put, between those of us who put Music before sound effects, and those others, non musicians...

    P.S.: You should take PaulR's posts literally. The man is for real! As for Bill, you can ignore him at your own peril...


  • Haha! Now I see...!:-) Of course, good music needs to take precedence from everything else. Everyday I wake up thinking about melodies, chord progressions, even reading books on music theory on my way to work. Lately I've been focusing on Orchestration etc.

    Having said that, we should not underestimate the impact percussion can make on the overall piece.

    And no, Zach Hemsey is not an alter ego of Hans Zimmer. :-) He has addressed this on his blog. Read below:

    http://zackhemsey.blogspot.com/2010/05/with-all-confusion-going-around.html

    Cheers,

    -N.

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    @Errikos said:

    ... leftover smoke from wars of yesteryear and older waged here on this forum, grossly put, between those of us who put Music before sound effects, and those others, non musicians...

    They taught me in college that it's all subjective and Bach and Beethoven weren't really better musicians than someone banging on a cardboard box and applying massive amounts of reverb.


  • My neighbour over the road comes from New Jersey. 

    I like to to stare at her through binoculars. We're not used to people from places like New Jersey round these here parts.

    I'll ask her the next time I see her face to face if she likes to bang on things.


  • Okay, this thread was like an itch that I couldn't scratch...

    Until now.

    Nektarios, I'm glad you got what you were looking for.  However, I think you unwittingly opened a huge can of worms on this forum.  Actually, you opened two.  The first was mentioning the Z man, Zimmer (I know, you never mentioned his name but you mentioned Inception which is an indirect reference to Zimmer) the second can of worms was trailer music, or should I say trailer nonmusic (okay, trailer sound designs)

    I'm not going to dig up hatchets that were buried with other forum members over Zimmer so I'm not commenting on him.

    Re: trailer "music."  Nowadays, trailer music is garbage.  There, I said it.

    I'm sorry, I don't mean any disrespect to you, Mr. Hemsey or those who make a living from creating trailer music and if creating trailer, shall we say 'sonic accompaniment,' is how you want to shape your career then I wish you and Mr. Hemsey God speed.

    [ Who the hell do you think you are jasensmith?  Let's hear your great contributions to western music!  Let's hear what you have to offer! ]  

    Okay, I tried my hand at trailer music and I failed miserably.  Why?  Because I refuse to confine my creative drive to dark string arpeggiators, mundane loud crescendo builds, and, yes, annoying reverb lathered taiko thumps. There are other ways of building tension and I hope you find it upon yourself to blaze new trails in this area.  Then maybe I might like trailer music again.   


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    @BachRules said:

    They taught me in college that it's all subjective and Bach and Beethoven weren't really better musicians than someone banging on a cardboard box and applying massive amounts of reverb.

    Really?  Do you believe that though?

    Then why not change your name to CardboardBoxBangerRules?

    Or how about PaulsNeighborFromNewJerseyRules?

    Yeah I drooped out of my Masters in Music Composition program because the professor once told me, "If the general public likes your music then it must be garbage."  So inspiring.

    I recently heard that that tenured professor got fired for carying on an "inappropriate" relationship with a student.    


  • Damn, so many worms are floating around and I have myself to blame!

    Even though some genres are more complex than others, I never like painting a broad brush. I would never classify a genre as garbage. For example, I hate hip hop music, but there are a few hip hop songs I like. I hate country music, but there are a few country songs I like. Trailer music is not my favorite genre, but I like three or four songs as far as I know. As a matter of fact, I don't even create trailer music. The reason I asked the question (taiko drums) is because I enrolled in the composition competition, and I am supposed to score a scene where a warewolf attacks.

    In the end, beautiful music is in the ear of the beholder. Just because your not into dark string arpeggiators, or elements of trailer music, does not make it garbage.

    Cheers,

    -N.

  • Hey Jasen, good points. I think BachRules is on our side though, and ridicules what was taught at his college, hence his forum name...

    As far as the werewolf attack is concerned, I don't see where a Taiko would fit - which is more of a thudding, crashing sound, something hitting something else, rather than attacking it. If it's a competition, think about your options and maybe avoid the very obvious choices today. Taiko is the middle name of every living composter. For ex. HTZ or ZTH, etc.


  • [quote=nektarios]Damn, so many worms are floating around and I have myself to blame!

    Okay, how 'bout boring then.  If you've heard one trailer spot haven't you pretty much heard them all?  Unless it's a Romantic Comedy because the powers that be haven't figured out how to arpeggiate and taiko thud a Rom Com so they just slap on an Indie Rock ballad.

    Actually, is trailer music really a genre in itself?  Isn't just a short film score?  That's how I always thought of it.  Ahh! Maybe that's why I never got any traction out of it[I]

    Nektarios,

    Again, I mean you no disrespect and I wish good luck with the contest.  But think of the responses to your original post as tough love.  I think Erikk, Paul, William and the other battle hardened salty veterans of those "wars of yesteryear" that Erikk spoke of are just trying to save you from becoming yet another clone of a clone of a clone in the vast space of mediocrity.

    Don't you see, it's not about the music anymore.  It's about "look what I can do with my DAW," and once it gets to that point the profession is dumbed down because any monkey astronaut can figure out how to punch buttons on a DAW.  Your skills as a composer will become surplus.  It's kind of like what digital photography did to the dark room technicians who conjured up the magic to make a so so shot a great shot.

    [quote=nektarios]

    That's true but for working composers it's more like "In the end, beautiful music is in the ear of the market."  And, unfortunately, what we hear in the market right now is the vast space of mediocrity and that's what it's demanding.  I think it's because of the technology today.  As I've said before on this forum, it's ironic that the technology we use to create our orchestral masterpieces is the same technology that has dumbed the profession down by creating clone after clone after clone.

    I apologize if I sound condescending.  I don't know you and I don't know your music.  Maybe you have such a bright talent that BachRules will change his name to NektariosRules someday.  Good luck to you.