Hi Gary,
a few words of background information ex
ante:
MIR Pro is not "another reverb" you just
add to an existing mix. It is a complete tool for spatialization,
taking into account a huge set of variables, not just reverb. When
you move away from a signal source in reality, its direct signal will
get lower in volume. MIR Pro takes care for that, as long as you
don't switch off that behavior deliberately (by means of the "Distance Dependent Scaling" option). As soon as the signal
source is turning away from you, its sound will change as well as the
perceived volume (in most cases). So it's quite usual that you will
see different levels from a mix done within MIR Pro than you've had
before.
That said, I suspect that you were using the Natural
Volume feature when selecting the Instrument Profiles. This feature
is meant to make an initial setup easy by suggesting typical volumes
for each Vienna Instrument. You have to keep in mind that a few
instruments in a full-blown modern orchestra can get very loud,
though, that's why most others have to be lowered in volume
considerably, to allow for enough headroom. If you find that you
don't need this headroom, just select all Icons on a MIR Venue's
stage and raise all individual volumes simultaneously by holding ALT.
(Side-note: By using MIR Pro within VE Pro, you could
also route all signals to a common bus channel and raise the volume
there).
I don't know about a volume offset slider - could it
be that you're simply misinterpreting the volume control for MIR
Pro's Room Tone? This feature is explained on p. 47 of MIR Pro's
preliminary manual. - When working with MIR Pro's plug-in version,
you will have to dedicate one channel for the Room Tone's output.
HTH,