I very simply and modestly think, but I might be wrong, that DStrings is a "due" reply to the many strings libraries out there, especially those which are concentrated on specific targets like: intonations and attacks slightly different and delayed, "cinematic" intimate atmospheres and so on and on...
Competition and Market. As sad as it is.
Now we might argue about why, for example, samples are "marked" by a special "resonant environment" such as a cathedral or else...
The answer is perhaps (I'm stupid and I'm only trying to guess) that the Majestic and Global Agreement is, obviously, that you sound this way I sound another way so libraries (sounds) cannot ever blend. So you need to buy me...
But, in this case, I must admit that DStrings is different in just one way: you have 8 different players, each one "under control".
This is the only feature I love. But, again, talking about old (very old) synths bought, how many single sounds did you use? For this reason, only for this reason I purchased it. I hope not to be ostracized for what I'm saying.
Last, I'm sorry for the only and unique audio demo, which is just a replica of what anybody knows.
Nevertheless, Christian, it is not at all my intention to offend you, in any way. On the contrary...
As we say: "A buon intenditor, poche parole".