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  3. VSL vs Hollywoods Strings #2
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    last edited
    last edited

    @Errikos said:

    But I must say, I was impressed with the anvil/hammer sound, what library was that from?

    I must admit I am not very happy with the woodwinds I currently have (not VSL). I am eagerly waiting for companies like Cinesamples, Audiobro and EW to come up with their woodwinds libraries. I am sure VSL woodwinds is the best you can have at the moment, its a bit too expensive for me to get right now..

    I have layered quite a lot of different things from various sources in the hammer type percussion hits and such.. There is some stuff from Sonokinetic Tutti, Spitfire Percussion and then some Tonehammer percussions..
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    For propriety reasons, only the first line in the above post was mine.
  • W
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    never mind
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    never mind
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    I was wrong about the sound - sorry William I apologize.
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     That's O.K. 

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    To Errikos:
    "If you can't notate/MIDI it yourself, it's NOT your music!"
    GREAT SENTENCE!!! IS IT YOURS????
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    Yes, it originated as a comment in one of my polemic posts somewhere in the middle of this thread, and I decided to sport it as my signature in the vein hope that through repetition - as with subliminal messages - people might think thrice about what they are, what they do, how, and who they think they're kidding (including themselves).

    I encourage its flagrant and unlimited proliferation.
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    Maybe I didn't understand exactly that sentence, and I was mistaking being ironic. Please consider that messages that are too subliminal can be misunderstood by many people...
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    So what is ambiguous about this sentence rendering its understanding difficult? It is its repetition I was comparing to subliminal messages, not the sentence itself. On the contrary, this sentence's/aphorism's message is crystal clear, with no intentional - and I believe no perceivable - irony about it. It means exactly what it says:
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    sorry about that zombie-Davidsbundler-Zimmerian-Barbarian lapse...
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    This is such a lovely and friendly forum. Genius indeed has side effects.
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    Although to me it is self-evident what the message is, perhaps it is ambiguous to some. I don't wish to be misunderstood (by anyone who gives a crap what I say anyway):

    My contention is that you either have to be able to notate your intentions, or if you can't read/write standard manuscript you then have to either be able to play everything in the sequencer, or if you're not a keyboardist, you have to be able to input every single MIDI event of your composition in step-time, with your mouse/keyboard, etc. ALL of it. 

    If on the other hand you think that orchestral composition is anything like dragging several tempo-compatible Apple-loops to the Arrange Page and mixing them, i.e. creating a track out of OTHER PEOPLE'S ideas, then the following was certainly inspired by - as well as addressing - you:
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    Ok thank you, now your opinion is clearer :)
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    Hi Erik,

    first of all thank's for your efford! Maybe I'm wrong but your LASS example on soundcloud sounds a lot like strings mono thru a stereo reverb. I have no relations with LASS at all. I just own the library as well, along with all of the other tested libraries and in their defense I must say I really think it can sound much better than this! ...well at least more stereo.

    Best regards,

    Oliver
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    Hollywood Brass demos are up in the EW site. Have to say that HS and HB together sounds lush.