On the other hand writing for the blit witch projrct would be cool.The films are not the problems for me.In fact cuting every 5m film makes it quite easy to find a rhythm, or writing for an old muted film where peoplr move first to fast and after a second to slow kills tempo.You ca, show a bunch of monkeys and it becomes very different with music.See kubriks 2000.However, moving the camera because the stand was to expensive can be as killing as georgian films where you see five minutes somebodie black coffe in the coffe cup, it's like the mic above the picture, where I'm tempted to bring a disney lotus pipe.
But more cruel to have a crap picture is a very good film, in wich the producer has no clue of music, but wants to "have his final word" with some embarissing ideas, becaus he hasn't the guts to admit where he is competend.Filmmakers are NOT musicians.And the end of the story are famous fikmcomposer that are proud, that they only wistled all themes ( like charlie chaplan or Alan S.).I had a case like that, he wistled that I had only the impression of a stoned squirrel.At least I could write any them I want, he couldn't REALLY tell the difference (I hope he doesn't recognize himself in this thread), he was "only" the composer and we where the staff.
But in the beginning you don't get great film do you ? I didn't.