So it must be concluded from Clematide that all film music is unoriginal and all concert music is original. The only problem with this amusing concept is you don't hear all the copycats of Berg, Webern or Stravinsky in the concert halls because they instantly disappear after one performance, but anything unoriginal written for film continues to be heard as long as the film is playing.
To come onto a forum filled with film composers and say film music is basically bad is insulting and doubly so because people in the early days of cinema used to look down on film music as being second rate. After Herrmann, Korngold, Steiner, Goldsmith, De la Rue, Preisner, etc. etc. etc. that became not only more difficult to do but actually a sign of either ignorance, envy or simple stupidity.
That is an excellent point by aural about Shakespeare and absolutely true. In fact his greatest play, Hamlet, was actually based on a fully written play by someone else that is now lost. In folklore such as the medieval marchen, the quallity of a story was never defined by how original it was, but by how well it was told. it is only in the modern age that originality became the end-all and sole purpose of art. Today, to be original means MORE than to be good. So if someone like Angelo Clematide creates a work of art by excreting on a musical keyboard in front of an audience he will be acclaimed as a brilliantly original creator. BTW Angelo - you can use that idea, no problem.