Thanks, I just experimented with that and found that I could limit the velocity crossfading to the softest layer, but it'd be great if I could increase the velocity response within that single layer to be greater from low to high. As it is now, there is a little velocity variance while playing only that soft layer, but I wonder if there's a way to get more.
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Volume is NOT 'intensity' with strings but you could also just ride the volume curve as well.
Rob
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Some notes jump out more than others, so that's why I was trying to get more of a velocity range happening. However, I just adjusted a few settings now that even out those notes and the preset doesn't even use velocity at all. I'm only riding the cc7 vol fader, and it's just what I needed. Thanks. Gary
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VSL doesn't have cross fading. This is well discussed and you can search it out on this forum. Dynamics (p,mp, mf, f, etc) are assigned to specific velocity levels. In your sequencer, you can assign a region (term used in both Logic and DP), also called "object" or "part" in other programs, to a specific velocity level.
If you have any VSL Gigastudio library, using the current version of EmulatorX with Giga import, you can set up cross fading. But in Vienna Instruments, it's a work around.
I suggest you review some of the excellent demos by Jay Bacal, including his version of "Thomas Tallis" by Ralph Vaughn Williams. Here, you can download both the MP3 and MIDI file, which can be imported into your sequencer. You should then examine how Jay sets up the Volume, Expression, and how he edits with Expression.
This should help answer some of your questions.