@hermitage59 said:
Rob,
I'm not going to speak on William's behalf, that would be offensive.
Regards,
Alex.
OH NO!!!! I must have missed that!
[:D]
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@rpmusic said:
Okay, if no one is to be offended then DG...what is it about the word "they" am I not explaining? When I said they, it's very simple: they as a collective group in LA (sorry, but that's where they're located), doing anything from Disney theme park shows, to TV commercials, to an Aerosmith session and including the style they have developed for a certain genre of orchestral film recording and then turn right around performing legit classical.(sorry for the run-on sentence) Just as the LSO is the best at what they do for certain other styles and genres. (they're also, believe it or not, less expensive! LSO that is...) For example: when I was considered for the Bobby Jones film I wanted the sound of the LSO...when Horner got it he chose LA. I didn't nessecaraly agree with the choice but it's comes down to the composer's preference. That's just the way I see and hear it. Nine times out of ten I can always tell you by listening to the score where it was recorded. (Okay, eight out of ten) And as you know, the stage and/or hall also plays into this. I believe that they are a very talented diverse group of musicians that come from all over the world and that they are the best at what "THEY" do. Admitably, they sort of win that by default though because I'm really not sure where else there's such a diversity of music being recorded. (And remember I said "I'm not sure". I know I don't have to say "please correct me if I'm wrong" but please correct me if I'm wrong) It doesn't mean that they are better than the LSO or Seattle or Toronto or any other horn, brass, string, reed, perc etc players here or Neptune for that matter. It's just my humble opinion. And also, I was never the one to coin the phrase "Hollywood Sound" so don't even tell me that I'm perpetuating it. I made sure that after it was brought up that I used quotes because it's not a real and viable slang. I originally used the term "LA type of TV and Film Scoring" as opposed to let's say the "LSO Sound" or the "Las Vegas Sound" or the "New York Sound" or the "Nashville Sound". And tell me that each of those didn't put a mental and audible picture in you minds ear. I'm sure you'll agree with me when I say that Vienna has a different sound than London. Trust me, I take nothing away from any players anywhere...I have great personal friends in orchestras from LA to Cincinnati to Charlotte to where ever and they could play with whom ever they please. I don't even like LA! (the city that is!!) [:D]
@hermitage59 said:
Sorry to hear you don't like Block typing Spartacus. I agree it seems odd to read without any break in sentences perpetuated by paragraphs.
Perhaps
this
would
be
better.
As
an aside,
how the
golf
going?
What's your
handicap?
Regards,
Alex.
[[:|]]
@hermitage59 said:
Yes Paul,
You can take off your armour, and put the pike away.
As i haven't played golf in 5 years, my handicap is a bag of clubs, so if we ever have a game, i'll take 5 strokes, and 20p a hole! (Winner buys lunch.)
Regards,
Alex.
p.s. I have a question. When you add music to a film, be it short or long, what format does the film come in? Is it video, with some sort of timing lock, or another format? (Quicktime?)