Evan,
I agree that Herrmann uses the interval constantly. However he uses it in a far more straightforward manner (as you suggest) in easily recognizable chord formations as in the Vertigo main title. Goldsmith uses it in far more varied ways, often times not recognizable because it's not a triadic formation and is split between instrument groups where as Herrman very often has it within a single orchestral choir (but not always obviously.)
I would agree that Herrmann probably numerically used it more times. However he seems more chained to it than Goldsmith who seemed to free it from any chains.
Dave Connor
I agree that Herrmann uses the interval constantly. However he uses it in a far more straightforward manner (as you suggest) in easily recognizable chord formations as in the Vertigo main title. Goldsmith uses it in far more varied ways, often times not recognizable because it's not a triadic formation and is split between instrument groups where as Herrman very often has it within a single orchestral choir (but not always obviously.)
I would agree that Herrmann probably numerically used it more times. However he seems more chained to it than Goldsmith who seemed to free it from any chains.
Dave Connor