Peter, do you have a good example of bass(analog, synth basses) You can get in a sample cd?

The folks at media ventures use "digital" bass instead of real accoustic. So Is there any sample cd you know which has kind of synth analog bass on it?

Like your example only MORE hans zimmer-ish like?hehe [:D]

Audun, I think you should more look on some software synth for such a bass than for sample cds.

Peter, that is some big sounding example. As if your dayjob was to write parallel lines [[;)]]

PolarBear

@PolarBear said:

Audun, I think you should more look on some software synth for such a bass than for sample cds.

Peter, that is some big sounding example. As if your dayjob was to write parallel lines [[;)]]

PolarBear

Hehe Hansi,

Wait until my Opus 1 arrives - I will use the legato programs to fill out the last gaps between the notes [:D]

BTW, I don't have any decent softsynths, so I just used my ES-1, a terrible synth IMO. I still need to switch from Logic to SX, prolly will now I have to adapt my templates for Opus 1.

Take care,

Peter

Peter,

Are there any good multiband compressor plugins? Would you list your favorites?

Thanks,

Dave Connor

Depending on the platform you're working on, there are dozens of Multiband Compressors.

A good (though complex) all-around solution is Waves' "C4" (or even better their 5-band "Linear Multiband" Compressor). Steinberg offers a very capable 5-band compressor as part of Nuendo (maybe with SX, too). For straight-forward 3-band limiting try db-audioware's "db-M"-plugin (Windoze only).

If you are on a TDM/ProT**ls-system, tcWorks' "MasterX" is kind of a poor-man's Finalizer; MacDSP has another good MB-compressor for this platform.

A all-in-one "mastering"-tool is "Ozone" from Izotope. MB-compression/limiting/exciting and much more. Don't be frightened by their "alien" GUI - the plug-in itself is pretty easy to use once you got the idea.

.... and there's still more to explore ;-]

/Dietz - Vienna Symphonic Library

I own the Waves Gold Bundle 4, which includes the C4. I think I would try the Ozone one as next, but I first need to learn how to operate multiband compressors anyway. This is an area that requires a lot of ear training and exerience.

Hi!
Dietz couldnt have said it better. I would also strongly recomend Ozone
http://www.izotope.com/

the trick is less eq as you can on the final mixed file. a lot of people when trying to get that professional sound are playing with the eq. now Im not saying dont eq at all. but be very gental with it.

the bass you are missing could be found through exiting of the lower bands
again, dont use it too much.

Cheers!

I agree with the tip for using only gentle EQ-ing in the mastering stage. As soon as I reduce or boost bands with more than 2 dB (low Q), the result is always too exagerated. More serious EQ-ing should be done on individual instruments or instrument groups.

For this I currently use the Waves Q2, Q3 and Q4. I wonder if different EQ's, like the RenEQ would give different results with orchestral tracks.

Cheers,
Peter

@Audun Jemtland said:

Peter, do you have a good example of bass(analog, synth basses) You can get in a sample cd?

The folks at media ventures use "digital" bass instead of real accoustic. So Is there any sample cd you know which has kind of synth analog bass on it?

Like your example only MORE hans zimmer-ish like?hehe [:D]

Spectrasonics Trilogy (VST) is packed with a lot of great synth sound basses as well as electric and acoustic.

Hi Peter, i was listening to your "Riding out at dawn" and i love it. i'm interested in the score. i think i could learn from this piece of music, but i also think you won't post your score.

maybe you can say something about the main melodie in the end played by brass. How has you arranged it and what samplearticulations did you use?

thanks

sebastian