Hi Sergino,
An interesting project - thought I would add some thoughts ahead of other more expert replies.
My first concern/thought is the sheer loading the midi I/O would have to handle on one machine. Granted newer USB midi interfaces have much wider bandwidth and in theory should handle the I/O traffic. But in practice I have found problems with only 4 midi ins active. (Emagic's Unitor II via USB to a Pro-Tools I/O unit)
The number of midi-ins on any particular box does not guarantee that all of them can be in use at one time. Mostly these were design for matrix switching to save rewiring time etc.
With 8 played midi keyboards being handled via the Midi I/O you might also run into unacceptable latency problems. Giga itself does have very low latency but you also have to factor in your Audio card or Audio box.
The path for any one instrument would be keyboard - midi I/O - Sequencer Application - VSL Performance Tool - Gigastudio - Sequencer Application - Audio/Soundcard - External Mixer - PA.
Off the top of my head I would say you are looking at a minimum of 2 PC** systems fitted with 160's (acting as virtual instruments) and a 3rd PC to handle the midi routing. Remember you can split the samples on to any number of external disks so for example you could have Brass and Woods on a disk streaming to one PC and Strings and Perc on another disk streaming to the other PC.
**These PCs do not need to be that powerful.
VSL have to fully answer the licensing question but my understanding is that you are purchasing the right to use the SAMPLE and this should not be an issue - particularly if you register your ensemble as the end user.
64 bit and hyper threading are really issues for TASCAM. The VSL library is currently sampled at 16 Bit resolution with 24 Bit being prepared (as an option) for the Symphonic Cube.
Hope this helps a little.
tattie
An interesting project - thought I would add some thoughts ahead of other more expert replies.
My first concern/thought is the sheer loading the midi I/O would have to handle on one machine. Granted newer USB midi interfaces have much wider bandwidth and in theory should handle the I/O traffic. But in practice I have found problems with only 4 midi ins active. (Emagic's Unitor II via USB to a Pro-Tools I/O unit)
The number of midi-ins on any particular box does not guarantee that all of them can be in use at one time. Mostly these were design for matrix switching to save rewiring time etc.
With 8 played midi keyboards being handled via the Midi I/O you might also run into unacceptable latency problems. Giga itself does have very low latency but you also have to factor in your Audio card or Audio box.
The path for any one instrument would be keyboard - midi I/O - Sequencer Application - VSL Performance Tool - Gigastudio - Sequencer Application - Audio/Soundcard - External Mixer - PA.
Off the top of my head I would say you are looking at a minimum of 2 PC** systems fitted with 160's (acting as virtual instruments) and a 3rd PC to handle the midi routing. Remember you can split the samples on to any number of external disks so for example you could have Brass and Woods on a disk streaming to one PC and Strings and Perc on another disk streaming to the other PC.
**These PCs do not need to be that powerful.
VSL have to fully answer the licensing question but my understanding is that you are purchasing the right to use the SAMPLE and this should not be an issue - particularly if you register your ensemble as the end user.
64 bit and hyper threading are really issues for TASCAM. The VSL library is currently sampled at 16 Bit resolution with 24 Bit being prepared (as an option) for the Symphonic Cube.
Hope this helps a little.
tattie