"Though they have their quieter side as well."
So true. Coincidentally, this evening, I was continuing to experiment with p to mf violin melodies in and around C4 -- the alto range where notes often fall to the bottom string G. I was EQ'ing the daylights out of VI_14_mV_sus, but it seemed either too grainy or too dull.
One would think that the sound of twenty violins would only make it more unmanageable. But the p to mf Appassionata violins sat just right with two solos for detail. In its own way, as it lilted, the AP's became more transparent. Eight more players, and yet, more transparent.
That said, VI-14's remain the core of the library, as noted above.
So true. Coincidentally, this evening, I was continuing to experiment with p to mf violin melodies in and around C4 -- the alto range where notes often fall to the bottom string G. I was EQ'ing the daylights out of VI_14_mV_sus, but it seemed either too grainy or too dull.
One would think that the sound of twenty violins would only make it more unmanageable. But the p to mf Appassionata violins sat just right with two solos for detail. In its own way, as it lilted, the AP's became more transparent. Eight more players, and yet, more transparent.
That said, VI-14's remain the core of the library, as noted above.