You both are very helpful teachers.......
All of your gracious advice is heeded.
I have taken 3 Libraries....
VI
True Strike
Miroslav
Some Others....
And in my autoload...placed Keyswitches for all of them on same keys.....So if I hit F-1 the entire orchestra Crescensdos at 2seconds....or if I hit c1 the entire orchestra does SFFZ.....(including Timpanis ;-.........editing the other libraries to match the VI 2sec,4,6,8 sec took forever...but boy is it fun to play now)
The results are amazing...as now I can enable many midi tracks at the same time and "Hear" the various colors attainable with doublings in Unison or Octaves....
That's what has brought me to balancing the Winds with the Brass..........I've focused much of my work in the past on Horns+Strings and very little on Forte winds........so hence my balancing questions.....I've learned much lately especially with regards to bassoons. They add an incredible "solid" feel when used to double just about anything....What the contrabasson doubled 1 octave below does to Bones is amazing.......
Martin you are so right.......years ago I would have Eq'd the Bones with more low-end...instead of layering the contra-basson beneath......
thanx,
SvK
All of your gracious advice is heeded.
I have taken 3 Libraries....
VI
True Strike
Miroslav
Some Others....
And in my autoload...placed Keyswitches for all of them on same keys.....So if I hit F-1 the entire orchestra Crescensdos at 2seconds....or if I hit c1 the entire orchestra does SFFZ.....(including Timpanis ;-.........editing the other libraries to match the VI 2sec,4,6,8 sec took forever...but boy is it fun to play now)
The results are amazing...as now I can enable many midi tracks at the same time and "Hear" the various colors attainable with doublings in Unison or Octaves....
That's what has brought me to balancing the Winds with the Brass..........I've focused much of my work in the past on Horns+Strings and very little on Forte winds........so hence my balancing questions.....I've learned much lately especially with regards to bassoons. They add an incredible "solid" feel when used to double just about anything....What the contrabasson doubled 1 octave below does to Bones is amazing.......
Martin you are so right.......years ago I would have Eq'd the Bones with more low-end...instead of layering the contra-basson beneath......
thanx,
SvK