garylionelli,
I currently use a single drive for VSL orchestral mockups. I usually run into a Digidesign coreAudio issue long before I ran into drive issues. So perhaps I did not have the opportunity to hit the ceiling of drive throughput. Perhaps after NAMM and I see MIR so I can figure out what shape my VI system will eventually be and get a new interface for Logic other than having to use my Digi 192 I will have more first hand experience. I don't have the real world VSL experience of cm, naturallly. However, I did own a company that built Fibre Channel networks for nonlinear video workstations, Pro Tools and digital film dubbers so I have a feel for the crude basics involved.
There are a lot of ways to do this. I haven't checked recently for pricing on the higher rotational speed SATA drives but per the Seagate website:
Barracuda 7200-RPM drives with SATA NCQ match performance of 10K SATA drives at much higher capacity and better price per gigabyte (in apps with higher-transaction workloads)
You want to access all those little .wav files as quickly as possible. Having them on more than one disk would be fine. Higher rotation speeds aid in faster seek times.
I haven't yet seen the utility that is supposed to come along with VI for linking the instruments with the samples, a la EXSManager (which to the best of my knowledge won't work with VI since there are no EXS instruments). However I can envision having two external SATA drives (in JBOD mode) each with the full VI on it - using one to link, say strings, and the other to lin to winds, brass, percussion.
This way you could have the advantage of accessing sample files from multiple disks for speed and, in the case of catastrophic failure you would still have a full copy of VI to use in the mean time.
Of course, gary, this is assuming that you aren't recording audio in addition to composing with VSL/VI. Currently, I use a second, internal SATA for recording audio from Pro Tools. I generally don't record with Logic.
cm is certainly correct about the throughput of SATA being more than adequate - and seemingly everything else regarding this for that matter. He should be considered the final authority on these matters. You might not need software RAID for speed. RAID mirroring might be nice though.
I sure do look forward to going to NAMM and finally figuring out what's going to be required for the rest of the system, including the PC that hosts MIR. Everything is a bit on hold for me until that time.
Hmm, maybe I should ask cm now what I need? OK, I have one G5, Pro Tools HD2 Accel w/ 192 interface and Logic. I record audio in Pro Tools, MIDI in Logic and mix in Pro Tools. I have Pro Cube w/ Performance Set & most of the Horizon stuff - all in EXS. I've ordered VI and think I want MIR.
I need to get another audio interface (probably FireWire) for Logic because of the Digidesign coreAudio problems. I am replacing all my FireWire drives with an external SATA drive system (JBOD, RAID?). That will take up my third and final PCI slot.
What will I need for a MIR PC? How do I link the MIR PC with the G5 with Logic on it. Can I still mix in Pro Tools? I don't mind changing my methodology as VI will make it all worthwhile. However, I have a ton of TDM plugins. Note: Pro Tools v7 doesn't work with Logic in TDM mode. Eventually it would be nice to simply work in Pro Tools with the, ahem, RTAS version of VI.
Thanks,
Jack