I am very undecided between Vienna Konzerthaus and The Sage Gateshead.
I already have roompacks 2 and 6.
I'm asking for help.
Thank you for this wonderful Mir Pro 3D.
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Congratulations Dietz and VSL for the achievement:
being one of the nasty supporters, I updated immediately 😃 and the first feedback is quite positive.
To be fair I work with stereo set-up only, but I was curious to see if the higher order ambisonic was providing the density and natural potential improvement to the sound, beside routing, modernized GUI and iLock license benefits.
Perhaps I've a placebo effect bias, but I've the feeling that the IR are better "wrapping" the sound, and the mix of direct sound and reflections sounds more "natural" to me.
Being it true or just imagination, anyway I love the new functions like the preset "roles" management and the dry signal treatment options. Great software-design, guys!
I am very undecided between Vienna Konzerthaus and The Sage Gateshead.
I already have roompacks 2 and 6.
I'm asking for help.
Thank you for this wonderful Mir Pro 3D.
really a matter of personal taste, but I can share my impressions owning both the venues:
- I would go for Gateshead, because the 3 rooms are more different and unique in my opinion (a small scoring studio, a chamber hall and a gorgeous large concert hall) all of them quite useful.
- Vienna Konzerthaus venues are all more on the classical music concert-hall side, and for my personal taste, slightly more difficult to fine tune at your will.
[...] Perhaps I've a placebo effect bias, but I've the feeling that the IR are better "wrapping" the sound, and the mix of direct sound and reflections sounds more "natural" to me.
Thanks for the friendly feedback! Better enveloping and and more "natural" space is indeed the intended effect of the IEM*) upscaling process. The effect is maybe less obvious in stereo, but it's spectacular in surround and especially 3D.
*) As a matter of fact there's even quite some academic literature available on this topic, most notably by the team around Prof. Zotter, who is one of the driving forces behind the Ambisonics research "hotspot" at IEM (Institute of Electronic Music and Acoustics in Graz).
Hello
I upgraded to Vienna MIR PRO 3D.
Vienna MIR PRO stopped working when I installed Vienna MIR PRO 3D.
So I lose all projects in Cubase where I used Vienna MIR PRO plugin?
All settings are lost.
Regards
Carlos
Hello
I upgraded to Vienna MIR PRO 3D.
Vienna MIR PRO stopped working when I installed Vienna MIR PRO 3D.
So I lose all projects in Cubase where I used Vienna MIR PRO plugin?
All settings are lost.
Regards
Carlos
Hi Carlos,
it's like Dave wrote: MIR Pro 3D is meant to replace legacy MIR Pro. They can't exsist side-by-side. This has been done to make the transition as painless as possible (... the new version is even called the same, from your host's POV). Soundwise the difference should be neglectable as long as you don't use any of the new features.
If you need bit-identical versions of older projects you can re-install legacy MIR Pro. Just make sure that you have the legacy RoomPacks available then.
Should legacy Rooms packs Vienna MIR PRO be deleted?
Or should they coexist with the Vienna MIR 3D Rooms packs?
Thanks
Carlos
Haven't tested the sound, but the venues look nice! Pity that the stages without seats are a bit "boring". Maybe you could integrate, for example in the Synchron Stage, a back wall / panelling with lights or side walls with doors, the big video screen etc. ;)
I have some suggestions ...
... and one issue
... and one issue
- I have noticed when I select a preset (which is MIRx with legacy wording, right?), it chooses the right position and custom character EQ, but the room EQ isn't applied.
Would you do me a favour and send findings like this one directly to support@vsl.co.at, please? This will make things proceed much faster. TIA!
Hi Dietz,
I remember suggesting something almost exactly like MIR 3D a few years ago on the Steinberg Nuendo forum... Congratulations, MIR 3D looks simply amazing. Can't wait to plug it into my workspace.
All the best, António
😊 The really good ideas are always floating in the air at some point, it seems ...
Hi Dietz,
Have been experimenting with MIR 3D and I really like the new RAW Ambisonics Order 3 main microphone. However when I save a project (Windows 11,Sibelius, VEP7 server, MIR3D) and reopen there is no Audio until I switch the microphone to the default and then back to Ambisonics Order 3. Seems like a small bug. The new software is great thought. Nice Job.
Dave
Does not work in Cubase 9.5.50
Windows Version10.0.19043 Build 19043
No matter what I do, the "server" window will not appear. I see the little rectangular panel, where you can adjust wet/dry, bypass, solo etc but not the MIR software itself with the 3d space and all the functionality to actually use the bloody thing. Spent hours trying, please help! Yes, I've clicked all the buttons.
The track is silent with the MIR inserted, when you press bypass in the MIR panel I hear the track dry, no MIR happening. not a sausage,
Cheers Chaz
Hi Chaz,
please get in contact with support@vsl.co.at - VSL's support team will sort out the issue swiftly. Please include as many information about your setup as possible, and it might be a good idea to supply an exemplary project that shows the problematic behaviour.
Thanks for your patience!