Dietz,
I've been poring through the Synchron Stage MirX presets and trying to learn by reverse engineering the thought process behind how you matched the MIR Pro ambience to the Synchron lib. ambience. If you have time, I have a few questions (regarding the "wide" preset):
1) The reverb time is reduced overall to 1.43 seconds as opposed to the full 1.8s. Is the idea behind this to match the overal MIR Pro RT time to the total RT time you get with the out-of-the-box Mic+built in reverb sound of the Synchron/Synchron-ized libraries?
2) The main mic array (in MIR Pro) is a blumlein+cardioid and secondary mic a delayed blumlein facing "forward/up". Is the rationale behind this to simulate the decca tree arrangement of the Synchron libraries by using the main mic as the "center" mic and the delayed blumlein as the L/R? I noticed the delayed blumlein up 3db, and the wet signal is delayed of course (mic delay on Main and Main-C mics is usually ON by default in Syn libraries). I know you can't *really* fully mimic a decca tree in MIR Pro, but I'm curious if this set-up is meant to get as close as possible (for ambience/perspective matching purposes).
As always, thank you!
- Sam