Thank you @fahl5. Is it Synchron Strings only?
I am with @veola for the sound, but I have to say that, for me, it's the best legato demo I heard so far, but it doesn't come close to what I (and probably others) meant. I could hear all of the different legatos combined (also slur), but it's a lot of programming efforts involved, right?
I would like to hear some John Williams cues, e. g. Marion's Theme from Indiana Jones, or Leia's Theme from Star Wars.
I tried (I'm a just a beginner!), but for me it would have been nice to have a legato with some good playability out of the box without switching between different legato types. I also have LASS, maybe I'm spoiled, for me it's the most playable and convincing library, even after all these years. Others might want a comparable sound like Hollywood Strings or Cinematic Studio Strings. I mean, these are also wet libraries (not LASS), and they all do manage to have hearable (to some extent exaggerated, pronounced) legato transitions. I like the old dry VSL libraries where you can hear the transitions way better. Synchron Strings doesn't deliver, in my opinion. And for me the huge amount of velocity layers make no sense, there is not a really timbre change. With LASS you have a huge dynamic range where you can feel ppp and fff and definitely hear the differences. I also wished for a more expressivo vibrato in Synchron Strings. And, of course, I'm missing some innovation. The competition releases new scripting etc. (e. g. LASS with auto-divisi). Synchron Strings is just a wet library with a small list of articulations, but has no innovations (e. g. compared to Dimension Strings).
But again, thanks for your effort. Great! :)