Dear creators of VIENNA Sound Library!
My name Abrasuilov Timur. I'm music composer and i live in Russia^ Moscow.
The last few years I write music for cartoons. I write notes in the program Sibelius. The program also has its own sound bank, but it is, of course, was created in order to help the composer to hear your ideas. It's a great program, and I was very happy with it. But when I suggest that music producers cartoon, they say that "there is no sound natural." For many years I was looking for a music library "natural." Sound library is really a lot - this contact and IR Sampletank and many others. And all of them great, except for one.
When I'm writing music for orchestra, choir or chamber of tools, I want to hear not only "close to reality" sound, but the sound of the final score with all shades, colors, dynamics and strokes.
My friends are also musicians, prompted me to pay attention to the sound library you created. And pay attention to one more point that working in Sibelius by Avid, I can at the same time, picking notes, putting the finishing touches and dynamics - hear one sound that will be my final worthy of playing real instruments, Orhestra and choir.
In this regard, all the above, I have questions to which only you can answer, because you know your product inside.
1) What is the configuration of the computer is needed in order to make optimal use of all the advantages of your product?
2) How soon will I be able to explore the features of your product? Is there a book or training video?
3) What additional resources should have my computer to work could be comfortable?
4) What would be the configuration of your product you I would advise you to buy more of the following features of my tool of preference: - Symphony Orchestra (for film), soloists and chorus of mixed composition, special preference for brass and percussion, drums and guitars of various kinds?
5) What will be the final price and that, specifically, will it go?
With deepest respect to You, the creators of dreams!
Abrasuilov Timur