Hi,
Is there a function to load samples in those presets, or do i have to do it manually ?
Best Regards
-
Hi Olivier,
a right-click on an entrance of the Matrix List will open the context menu where you will find a command for enabling the whole Matrix. Alternatively you can also enable an individual Cell.
It's described on p. 24 of the VI Pro 2 Manual -> http://dl.vsl.co.at/downloader.aspx?ID=7413
Kind regards,
/Dietz - Vienna Symphonic Library -
Hi Dietz,
Do you have a sense of whether the Teldex large ensemble preset will run on a Mac Pro 2.66 ghz (8-core, 32GB ram), together with a DAW (DP 7 or Logic 8)?
-
Hello Dietz
I have ask you a few questions why dont you answer to my questions ! are you angry with me ?
-
Cyril, Marnix from VSL Support already asked you to get in contact with him. He has a Logic-centered setup at his disposal and will hopefully be able guide you step by step through the issues you seem to encounter.
... please, don't hi-jack threads with off-topic messages. Thanks!
Regards,
/Dietz - Vienna Symphonic Library -
Hello Dietz and Marnix
On my side I have been testing solutions and I have improvements and the problem is well encircle
- The engine is not fast enought to treat eight notes at 54 bpm !!! or is missing end of notes
I have ask you both 3 basic question :
- Is VE using CPU power for a VI that is not used ?
- If I mute a VI does it uses power too ?
- From your experience what is the max number of VI used should I get on my Macpro
why cant I get an aswer ? is is secret ?So it is your fault if I have hyjacked this discussion
-
I have no ready-made demo at hand, but Jay Bacal used a similar setup to Herb's "Full Orchestra" in his version of Star Wars' "Main Theme". Jay used the Teldex Studio in its "wide" orientation, but the sonic signature is more or less the same.
HTH,
/Dietz - Vienna Symphonic Library -
I try to use this Preset on my older composition. It sounds very good! Great work! I was trying to experiment with the orientation of room. Both has pro and cons, of course. :-)
In the "long" orientation, I feel the long space much more, of course. I feel, the music is in front of me. The sound is little bit darker, I think. But there are limitation in the left-right field. I feel, the players are by the wall very close on sides.
In the "wide" orientation, the sound is more brith for me. I fell, I'm more "in" the music, "in" the orchestra, which plays around me. But there are limitation of lenght of the room. I feel the wall opposite me. The left-right field is much more bigger. This is very nice.
For me, the "long" orientation looks better for "concert-halls" simulation in the studio. The "wide" orientation is better for real studio ("Hollywood") recordings, I think.
In any case, it's amazing!
Regards, Martin
-
I just bought Roompack 2 and downloaded Herb's preset. Unfortunately I am only using MIR24 and therefore am getting errors when trying to open it. Is there a way to open it using MIR24? I'd love to take a closer look at what he did there...
Best,
Tina
