@PaulR said:
Although I suspect most of his writing would be to French films or films of that style.
Why French films? They are fully as bad as American films. Maybe worse if such a thing is possible. The days of Francois Truffaut, Goddard, Resnais, Jean Cocteau, Renoir, Robert Bresson are long gone. Now in France the "auteurs" are a bunch of sellouts like any Americans, but they are PRETENTIOUS about it. So which do you prefer? A pretentious phony ass sellout or a shameless one? That is the difference between French and American cinema now.
What Herrmann would have to do today is independent films. Those are the only possible artistic works worthy of his level of musical artistry. And of course not one person on this forum wants to do them. Because they don't pay. You all want to do Hans Zimmer. That stuff pays. For some strange reason you weirdos want to make money.