@PaulR said:
A bloke once asked me why Mozart didn't record his own CD's -and he was being serious.
[Y]
Good idea ---> I auction my original Mozart masters on Ebay
196,142 users have contributed to 43,014 threads and 258,392 posts.
In the past 24 hours, we have 0 new thread(s), 6 new post(s) and 176 new user(s).
@PaulR said:
A bloke once asked me why Mozart didn't record his own CD's -and he was being serious.
[Y]
Good idea ---> I auction my original Mozart masters on Ebay
@PaulR said:
Christ!!! You ought to go on the radio with that type of material.----------A bloke once asked me why Mozart didn't record his own CD's -and he was being serious.
The converters weren't as good back then. And the only program he knew how to use was Garage Band. ;)
The converters weren't as good back then. And the only program he knew how to use was Garage Band. 😉
I use exclusively the genuine Östereichischer Konverter-Konverter (ÖKK). All cables are original "Lipizzaner Optical Fibre" (LOF) but the "Kaiserschimmel Franz Joseph" (KFJ) quality which is manufactured in Lipizza near Triest; already the Romans used this cables for recording infantry marches and Tanzmusik Orchester. Plus the optional Mecklenburg-Vorpommern Woldeker Regine Sacher 48-bit Glasur, and of course I shoot myself regularly with "Echte Salzburger Mozartkugeln" (ESM), as all central European composers who follow the traditions of the LvB Burschenschaft.
The Mozat ammunition:
The Mecklenburg-Vorpommern Woldegker Regine Sacher option:
http://www.schlossgartenfestspiele.de/index.php?page=Regine_Sacher
That all may sound a bit strange, but that is how it is!
.
Hochschule für Musik (University of Music) Karlsruhe:
Study composition with a composer of your choice. For example with composer Wolfgang Rihm at the Hochschule für Musik (University of Music) in Karlsruhe Germany. Rihm is a profound and well known composer and teacher.
The Kalsruhe University of Music has a music informatic curriculum for progarm languages as C/C++, Csound, Max/MSP and Super Collider etc., as well algorithmic composing techniques.
University of Music Karlsruhe, Germany:
http://www.hfm-karlsruhe.de/
The technical and informatic side of music can be studied at the Universität der Künste in Berlin, Germany. Including Musicology and Music Education (Doctoral Courses of Study). The College of Music ranks as one of the largest music education institutes in Europe, rich in content and quality. Dating back to the Royal (later State) Academy of Music founded in 1869, it has been one of the leading schools of music in Germany from the outset. Composers such as Max Bruch, Engelbert Humperdinck and Paul Hindemith, performers such as Artur Schnabel, Wanda Landowska and Emanuel Feuermann, and academics such as Philipp Spitta, Curt Sachs and Kurt Singer taught here.
Eberhard Sengiel, the multi Grammy award winning recording enginerr (Chicago Symphony Orchestra) is teaching recording technology at the UdK in Berlin:
http://www.sengpielaudio.com/ http://www.sengpielaudio.com/Wikipedia.htm
University of Art - UdK Berlin
http://www.udk-berlin.deDie Hochschule der Künste Bern HKB, Switzerland
The Hochschule der Künste HDK Bern includes a multi media department, a Conservatory, a music informatic department, a recording engineering faculty etc., possibly the most complete music university in the world today. Also in the house biomedical engineering, automobil technic, architecture, music theater, church music, opera, a 25 million USD recording studio, three concert hall, the largest with 3500 seats etc., all under one roof.
Die Hochschule der Künste (HKB) Bern
http://www.bfh.ch/index.php?nav=2414 Weeks? Hmmm...seems like 5 minutes would be more than adequate.
Then again, I have no experience with music school, and I don't know what the acceptable skill level is. I've always wanted to go to school for music, but it terrifies me to think that the class would likely progress as quickly as the slowest student.
4 Weeks? Hmmm...seems like 5 minutes would be more than adequate.
Back in my days, we did chromatic transposition and sight transposition of saxophones, clarinets, valve horns etc., in three minutes; clef transposition of F-clefs and C-clefs and the sight reading of these from orchestra scores included.
Then, quasi on minute four, we composed Symphony No 1