@Rob Elliot said:

Nice to be able to crossover at about 100 khz

[:D] ... a crossover at 100 kHz will make the bats cry! [;)]


OK, I'll experiment with it [:D] - Dietz - isn't THX spec'd at 80 hz crossover for subs?


Rob

Rob read agin - Khz and Hz. [[;)]]

As for crossing at 100Hz, imo this is a bit high and you should consider going down to around 70-80Hz, or you might end up mixing towards what will be a very non-representive result on normal speakers. It all depends on your monitors, room and setup ofcourse.

@Vagn Luv said:

Rob read agin - Khz and Hz. [[;)]]

As for crossing at 100Hz, imo this is a bit high and you should consider going down to around 70-80Hz, or you might end up mixing towards what will be a very non-representive result on normal speakers. It all depends on your monitors, room and setup ofcourse.

What is a "K" amongst friends??? [:O]ops:


Bats AND Dogs would die [[:|]] Have it set up at 80 hz and sounds great.


Rob

I'm sure most of you know this but I'll say this to provide perspective:

Consumer systems are typically crossed over at 120 Hz. This will obviously play into imaging, etc., but if you have a consumer setup for surround (like me) with 3 1/2" satallites you don't have the option for lower mid-bass in the smaller speakers.

Clark

I have an old Quart 310 subwoofer. A what? I think it was a German brand.

How do I know what the crossover point is? The frequency response on the back says 25-150 Hz.

This sub needs a separate amp. But could I use them with powered Adams a-7? How would I do this?

Thanks.

Audiophile challenged,
Jay

Remember to budget a little for acoustic room treatment. You'll get truer mixes with $1,500 speakers and $1,500 room treatment than you will with $4,000 speakers and bare walls. It's one of those non-sexy things that we hate to spend money on, but appreciate once it's there. It's my next weekend project.

Jay, I have an M&K sub that also accepts a powered in only. I have an old Alesis amp that I use just to drive this subwoofer. There's probably a simple way to convert it to a line in, but I've never gotten around to doing it. Of course this is done for a hi-fi amp to drive satellite speakers through a stereo power amp out when the receiver doesn;t have a sub output. Modern hi-fi receivers always have a line-level sub out, so you rarely see this type of sub anymore. The ADAM A7 has a low freq shelf control so you'll be able to roll off the lows for proper bass management.

I have the M&K sub (12") on my hi-fi setup, not the studio. I plan on getting an ADAM Sub10 for the studio after I buy a third S2A to complete my front speakers. Rear speakers will be old Alesis Monitor Ones for now. Surround monitoring through the surround card in my DM-3200 console.

I have to quote this, just to make it visible enough:

@synthetic said:

Remember to budget a little for acoustic room treatment. You'll get truer mixes with $1,500 speakers and $1,500 room treatment than you will with $4,000 speakers and bare walls. It's one of those non-sexy things that we hate to spend money on, but appreciate once it's there. It's my next weekend project.

How true. Whenever somebody asks me "Hey, I have some money left, what cool stuff should I buy for my studio?", my first answer is "How about proper acoustic treatment of your control room ...?"

[*-)]

Ideally, you hire a professional who has enough knowledge and experience to suggest real enhancements, not just some diffusor here and a bass-trap there.

I am going to change my monitors soon. I will be putting the Genelecs and the Genelec sub on Ebay.

Changing to Quested VS2108's (no sub) when the studio is finished.

I've been on Genelec 1030a and 1031a for 6 years now. They are great speakers, but as with all speakers, you have to "learn" them. Also, I might mention something that most people tend to forget. You have to tune and treat your room. Great speakers will not be great speakers if you are listening to them in a crappy enviroment. Standing bass waves, dead spots, hyped areas will all throw off what you are hearing.
Take the time and money to make your enviroment as good as your speakers. I can't stress this enough. I've heard very expensive and great speakers be totally off because someone had them in a room with serious problems.

My other favorites are Adams S3A's. If and when I decide to leave the Genelec's, that would probably be my next choice.

The best thing you can do, if possible, is get your enviroment tuned and stable for the most part, then try out your speakers of choice. I know here in LA, you can demo speakers from various places. I've had a number of different brands in my room over the years that I checked out. Also, if they don't allow demos, look into rental. Rent some speakers for few days and give them a good work out in your room. It's the best way to really find what works best for you.

P.S> For give me if I'm reapeating what others have said. I just jumping in without reading the rest of the posts here.

Wondering if anyone has an opinion on the 'Truth Series' active studio monitors from Behringer with VSL?

I'm kind of on a budget for monitors ($500-$700 USD for a pair), and worried that I'll be happier if I wait until I have more money to get a really good set of monitors, but that could be a while and I don't know if I'll last that long. What was said about room treatment makes a lot of sense, but I can't even think about that with my current budget. So I'm just thinking monitors for now.

In this price-range, you should look at these:

-> http://www.abluesky.com/asp/catalogue/products.asp?linkid=20&prodcode=00012

I use them myself (although in a 5.1-configuration) and like them a lot.

@Dietz said:

In this price-range, you should look at these:

-> http://www.abluesky.com/asp/catalogue/products.asp?linkid=20&prodcode=00012

I use them myself (although in a 5.1-configuration) and like them a lot.

Thanks Dietz! I'll take a look at them. They seem like a good choice for me.