Robert..
you mean it can be done, but there are no key command?
or
It's may coming in a future update?
you mean it can be done, but there are no key command?
or
It's may coming in a future update?
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Heilige Maria, what a day... The manuals are überweak!
How you break a beam in a tuplet.
How you extend a beam over a barline.
How you select one staff over the full score when you see only page one.
Why does it jump to 100% zoom.
How to Tuplet over the bar line.
How you import a single staff into the score via MIDI.
How you deselect this god damn auto formating who always streteches to the the full page.
No nothing in the user guide about simple things like that, the word BEAM doesn't even appear in the manual once, nor the online help. Maybe it's a b-word. Have this programmers ever seen a composer from the near?
[:@] [:@] [:@] [:@]
.
How you select one staff over the full score when you see only page one.
@weslldeckers said:
What do you mean by breaking the beams of a tuplet?
BTW: I love the humour in the Sibelius3 manual! Makes it actually a pretty fun read!
BTW: I love the humour in the Sibelius3 manual! Makes it actually a pretty fun read!
to 3-3-2-3-3-3 by interupting two beams in between the groups.
@jbm said:
Are you asking whether any of us actually composes with Sibelius or Finale, rather than just using them for notation?
@DG said:
Composing has nothing to do with audio tracks. For concert works I hardly ever produce anything but a score and parts. Obviously if I need to play a demo to someone it is easier to export a MIDI file to a sequencer and deal with that there, but a fair amount of the time a demo is not required.
DG
@mathis said:
I copmose (I won't correct that typo) in Sibelius with the GPO studio as a playback device. For musicians that's enough quality to let them imagine what's going on. For less-musical minds like directors I go the pain-in-the-ass route and play every line in with my breathcontroller into the sequencer (in my case Samplitude) and produce a full-fledged demo..