I'm no Phillip Glass fan, either...but I, too, thought his soundtrack for "The Hours" worked well with the movie. (I wasn't surprised at its Oscar nomination.)
In fact, after grudgingly coming to this conclusion, I started paying close attention to see if I could tell why this soundtrack felt so musical when I find most other Glass music almost annoying.
My take was this: Two things made it work. The musicians...and the mix.
One thing I find annoying about some of the Glass I've heard is that the dynamics are almost mechanical. And the recordings tend to sound sterile to me. I thought the pianist and string players brought a great deal of musicality to the score. Also, it was recorded at Abbey Road, and Jonathan Allen's beautiful, lush mix made the music wrap around the story. (I admit a bias, here. I've had the privilege of working with Jonathan once. And I wasn't surprised when I saw his name in the closing credits.)
This score...and 'Kundun'...could almost make me like Phillip Glass.
Almost.
Fred Story
In fact, after grudgingly coming to this conclusion, I started paying close attention to see if I could tell why this soundtrack felt so musical when I find most other Glass music almost annoying.
My take was this: Two things made it work. The musicians...and the mix.
One thing I find annoying about some of the Glass I've heard is that the dynamics are almost mechanical. And the recordings tend to sound sterile to me. I thought the pianist and string players brought a great deal of musicality to the score. Also, it was recorded at Abbey Road, and Jonathan Allen's beautiful, lush mix made the music wrap around the story. (I admit a bias, here. I've had the privilege of working with Jonathan once. And I wasn't surprised when I saw his name in the closing credits.)
This score...and 'Kundun'...could almost make me like Phillip Glass.
Almost.
Fred Story