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    @William said:

    Wolfy,

    Sorry, but "damaged"? Excuse me? I don't think anyone reasonable would go that far. Though I have my doubts about someone who puts on one of those white powdered wigs every time he sits down at his MIDI keyboard. You need to take a little reality check, o.k.? This is the 20th century.Benny H.


    Errr Bill.....its the 21st mate. Didn't want to point that out to be honest, but there it is. Just too many notes.....

  • The 21st century? What planet are you from!

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    @William said:

    The 21st century? What planet are you from!



    One of us has invented a Time Machine [H] Anyone wnat to take a guess at which one?

    HGW

  • Ok, Paul, now I really have to ask: What is "HTH" and "HGW"?

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    @mathis said:

    Ok, Paul, now I really have to ask: What is "HTH" and "HGW"?


    HTH??? Help me out here Mathis. what century are we in?

    HGW = H. G. Wells

    Bests

    Paul

  • Oops, sorry, it was Dietz who uses HTH. Maybe he lives in the 22nd century?

  • Don't want to split hairs here but the post in question (we'll call it "The Post of the Century") appears to be signed by one: Benny H. I can't see how that particular composer could insist on it being the 21st century.

    It's the 18th century you idiots!

    W.A. Mozart

  • I appreciate that support Wolfy, but you really need to check your calendar. You and Mr. Wells are seriously out of touch.

    Concerned,
    Benny

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    @William said:

    I appreciate that support Wolfy, but you really need to check your calendar. You and Mr. Wells are seriously out of touch. concerned,
    Benny


    I'll have you both know that HG's wife was a distant relative of mine! And not talking about Mary Steenbergen either!

  • Paul,

    Really now? Did HG know about all these going's on with you and his wife?

    Dave

  • So Mathis, are you combining your music with other media? You seemed to hint at that though I lost track of where that was. I said something about that didn't I? Or did I... [*-)]:

  • PaulP Paul moved this topic from Orchestration & Composition on