I'm sure you guys have already given this plenty of thought, but I was curious how the upper range of the triple horn was going to be sampled. The high range on the Bb-side of the horn is quite different than the same notes played on the high-F side (which are a little more trumpet-like.) I would just like to recommend that the normal high range of a double-horn be played on the Bb side of the triple, while just the very highest notes of the horn be played on the high-F side.
Sorry if I'm recommending something that's really obvious to the team already.
-Noel
Sorry if I'm recommending something that's really obvious to the team already.
-Noel