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FORTI/SERTI Demo
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I've been working with Ernest Cholakis for the past month on really mastering FORTI/SERTI and I included it with a demonstration in the 9th video lecture of Visual Orchestration 2. So here's my simplified "composer's" explanation.
FORTI/SERTI is a components parts approach to applying reverb tails, early reflections and EQ (TILT filters) using IRs (impulse responses) via the Vienna Suite Convolution. You need both to get the most out of it.
FORTI/SERTI, unlike what the name implies, is about rooms. The largest "room" is Epic Hall 1 with a reverb tail of 2.87s down to Small Room 2 with a reverb tail of .27s. FORTI are ERs and tails primarily for large halls while SERTI is for studio and scoring stage sized rooms and smaller. ERs are organized by Short, Medium and Long whch can be used for stage positioning or to shape the sound.
For the TILT filters, go to this link and download the sheet I prepared a year ago. You pick the TILT filter by the lowest note of the instrument you're working with. So for Violins, with the lowest pitch being G3, you'd pick the TILT filter for C3. There you have choices of brightness and darkness which are also applied with the Vienna Convolution Reverb.
http://soniccontrol.tv/wp-content/uploads/2012/04/FORTI-SERTI-Table1.pdf
If you've struggled with getting a good virtual mix, this course will help a lot. Most of the teaching and audio examples were done with the Vienna Instrument's player and obviously, the Vienna library. In video lecture 9, you'll be pretty amazed to see how the Vienna Suite Convo with FORTI/SERTI really transforms the Sample Modeling Trumpet which requires the addition of both ERs and a reverb tail.
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