Vienna Symphonic Library Forum
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  • I don't know if it's just me, but instead of the images you obviously intended, I see this:

    [MODERATOR'S EDIT: Picture of ImageShack's "Frozen Frog" removed for - uhm - better readability of this thread 8-) ...)

    /Dietz]


  • I figured it out...

    I have to also be registered at ImageShack and logged in before I can see the pictures.

    I created an ImageShack account and I see them now.

    Maybe this will help others who are seeing only frozen frogs....  [;)]


  • Ooops!  [:O]  Sorry .... I will move the screenshots to our own server tomorrow.

    (I hope you don't mind that I will delete the frozen frog then ... it's just soooooo ugly. ;-) ...)


    /Dietz - Vienna Symphonic Library
  • How can I download these presets?

    Best

    Paky


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    @Dietz said:

    Dear MIR Pro Users,

    the eagerly awaited adaption of "Herb's Teldex Presets" for MIR Pro is now available in your User Area:

    -> http://www.vsl.co.at/en/68/428/1957/1622.htm

    [...]

    ;-)


    /Dietz - Vienna Symphonic Library
  • Hi,

    Is there a function to load samples in those presets, or do i have to do it manually ?

    Best Regards


  • Hi Olivier,

    a right-click on an entrance of the Matrix List will open the context menu where you will find a command for enabling the whole Matrix. Alternatively you can also enable an individual Cell.

    It's described on p. 24 of the VI Pro 2 Manual -> http://dl.vsl.co.at/downloader.aspx?ID=7413

    Kind regards,


    /Dietz - Vienna Symphonic Library
  • Hi Dietz,

    Thanks for your answer !!!

    Best Regards


  • Hi Dietz,

    Do you have a sense of whether the Teldex large ensemble preset will run on a Mac Pro 2.66 ghz (8-core, 32GB ram), together with a DAW (DP 7 or Logic 8)?


  • Hi,

    I just replied to your question in this thread: -> http://community.vsl.co.at/forums/t/30403.aspx

    Kind regards,


    /Dietz - Vienna Symphonic Library
  • Better now than never ... the screenshots are available again (see above). :-)


    /Dietz - Vienna Symphonic Library
  • Hello Dietz

    I have ask you a few questions why dont you answer to my questions ! are you angry with me ? 


  • Cyril, Marnix from VSL Support already asked you to get in contact with him. He has a Logic-centered setup at his disposal and will hopefully be able guide you step by step through the issues you seem to encounter.

    ... please, don't hi-jack threads with off-topic messages. Thanks!

    Regards,


    /Dietz - Vienna Symphonic Library
  • Hello Dietz and Marnix

    On  my side I have been testing solutions and I have improvements and the problem is well encircle

    - The engine is not fast enought to treat eight notes at 54 bpm !!! or is missing end of notes

    I have ask you both 3 basic question :

    • Is VE using CPU power for a VI that is not used ?
    • If I mute a VI does it uses power too ?
    • From your experience what is the max number of VI used should I get on my Macpro

    why cant I get an aswer ? is is secret ?
    So it is your fault if I have hyjacked this discussion


  • Cyril, I know it is always VSL's fault in your eyes.

    Please read this thread: -> http://community.vsl.co.at/forums/t/30702.aspx

    TIA,


    /Dietz - Vienna Symphonic Library
  • So, I will see it in the linked page, after I buy the Room Pakcs 2, right? Before, I can't see this.

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    @MAJ said:

    So, I will see it in the linked page, after I buy the Room Pakcs 2, right? Before, I can't see this.

    Yes, that's right.

    Kind regards,


    /Dietz - Vienna Symphonic Library
  • Is there anyone, who tried these presets, please? How does it sounds?

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    I have no ready-made demo at hand, but Jay Bacal used a similar setup to Herb's "Full Orchestra" in his version of Star Wars' "Main Theme". Jay used the Teldex Studio in its "wide" orientation, but the sonic signature is more or less the same.

    HTH,


    /Dietz - Vienna Symphonic Library
  • I try to use this Preset on my older composition. It sounds very good! Great work! I was trying to experiment with the orientation of room. Both has pro and cons, of course. :-)
    In the "long" orientation, I feel the long space much more, of course. I feel, the music is in front of me. The sound is little bit darker, I think. But there are limitation in the left-right field. I feel, the players are by the wall very close on sides.
    In the "wide" orientation, the sound is more brith for me. I fell, I'm more "in" the music, "in" the orchestra, which plays around me. But there are limitation of lenght of the room. I feel the wall opposite me. The left-right field is much more bigger. This is very nice.
    For me, the "long" orientation looks better for "concert-halls" simulation in the studio. The "wide" orientation is better for real studio ("Hollywood") recordings, I think.
    In any case, it's amazing!
    Regards, Martin