Being an owner of multiple VSL libraries I already pine for a few giga machines with a mac sequencer front end. Having a PC "mixer box" seems quite logical. For about the same price as a good digital board you could get the hardware at least so hopefully the price point for the software won't put the whole thing too far out of reach.
At this point my one computer (mac) is elegant from the standpoint that the mix is just a bounce away, but a bear considering I practically drag the computer to its knees with these sounds, etc. Having more machines would be great but as Lee pointed out this lands you in elite gear territory with extra interfaces and so on. In addition, having multiple computers makes the whole simplicity thing a moot point from a hardware perspective. Here's hoping that VSL has very specific recommendations/requirements for interfaces, etc. PolarBear's suggestion on including a part list for the MIR machine at the VSL labs is right on the money, IMHO. I have had some terrible luck with hardware in the past so eventually having to deal with all these boxes makes me very nervous.
Lee makes another point that I would like to address: if only the pro user is the intended customer, does this mean that the "separate mixing team" concept is already changing? With the stuff I do the scale is much smaller so I become the ADR team, foley team and the mix team besides being the composer. Is there a "trickle up" phenomenon happening here like the home studio thing of the last 15 years or so?
Clark
At this point my one computer (mac) is elegant from the standpoint that the mix is just a bounce away, but a bear considering I practically drag the computer to its knees with these sounds, etc. Having more machines would be great but as Lee pointed out this lands you in elite gear territory with extra interfaces and so on. In addition, having multiple computers makes the whole simplicity thing a moot point from a hardware perspective. Here's hoping that VSL has very specific recommendations/requirements for interfaces, etc. PolarBear's suggestion on including a part list for the MIR machine at the VSL labs is right on the money, IMHO. I have had some terrible luck with hardware in the past so eventually having to deal with all these boxes makes me very nervous.
Lee makes another point that I would like to address: if only the pro user is the intended customer, does this mean that the "separate mixing team" concept is already changing? With the stuff I do the scale is much smaller so I become the ADR team, foley team and the mix team besides being the composer. Is there a "trickle up" phenomenon happening here like the home studio thing of the last 15 years or so?
Clark